Shana Lutker, “An Analphabet,” at Vielmetter Los Angeles. The installation, which will feature a new vocal work by the artist, will also employ the storefront areas in ways that comment on questions of consumption and desire.
#Instant artist drawing projects series#
In his second solo exhibition at Regen, Gates is taking his own wardrobe as a point of inspiration for a series of works that will come together to form a large-scale sculpture. Theaster Gates, “Line Drawing for Shirt and Cloak,” at Regen Projects. This show at Deitch explores her early years in Los Angeles and Fresno, when Chicago was mastering the art of color and form. In the 1960s, before she was known as the artist of high-profile feminist works such as “The Dinner Party,” Chicago was producing painting and sculpture in a much more minimal vein. Judy Chicago, “Los Angeles,” at Jeffrey Deitch. 17985 Pacific Coast Highway, Pacific Palisades,. This exhibition presents some of the most spectacular archeological finds from the site - including bronzes, marble statuary and objects from the library of papyrus scrolls that give the villa its name. Paul Getty built a museum on his Malibu property in the late 1960s, he chose to model it after the Villa dei Papiri in southern Italy, the luxurious Roman estate from AD 79 uncovered in 1750. “Buried by Vesuvius: Treasures From the Villa dei Papiri,” at the Getty Villa. Concludes Saturday and Sunday with the 10th Festival for All Skid Row Artists (Gladys Park, 808 E. This project, organized by the Goethe-Institut, looks at the issue of homelessness from an interdisciplinary perspective, through presentations by artists, architects and urbanism experts - as well as respected organizations such as the Los Angeles Poverty Department, a skid row art and performance group. It is estimated that 60,000 people experience homelessness in L.A. “Worlds of Homelessness,” in locations around Los Angeles. Situations that are kind of weird (a nude couple sucking on lemons) and backdrops that are slightly oversaturated (patterned wallpaper straight out of the ’70s) - those are some of the settings for Krifka’s stylized figures. Laura Krifka, “The Game of Patience,” at Luis De Jesus Los Angeles. Williams, Various Small Fires and PPOW Gallery) This group show, featuring work by artists such as Cauleen Smith, Milano Chow, Lauren Davis Fisher and many others, invites dawdling and other forms of “non-productive” activity. In his essay “Loitering is Delightful,” writer Ross Gay explores the meaning of the word and the ways it is employed as a tag of criminality when used to describe people of color. “Loitering is delightful,” at Los Angeles Municipal Art Gallery. 5319 York Blvd., Highland Park, Los Angeles, now-instant.la and. Artist and writer Nick Herman is presenting a screening of historic and contemporary sound works in Mexican art. “Some Among Others: Mexican Sound & Video Art,” at Now Instant.
New works by the pair explore notions of boundaries, both internal and external. Moriyama and Pease are two artists with overlapping interests: both students from the University of Pennsylvania who create intricate, meditative works in ink, two artists who also happen to be married and have children.
Tadashi Moriyama and Rachael Pease, “Frontiers,” at Jason Vass. It is the first time the work will be seen in L.A. Using old bits of furniture, toys and taxidermied animals, they created individual mounts inspired by people in different places and different stations: a chairmaker in Egypt, a street barber in Bombay, a girl in a Rio favela, a wealthy woman in Paris - all demonstrating that the life we are born to is pure chance. In the 1990s, the artist pair, known for their assemblages and narrative tableaux, created a large-scale merry-go-round installation inspired by accidents of birth. Grand Ave., downtown Los Angeles, .Įdward and Nancy Kienholz, “The Merry-Go-World or Begat by Chance and the Wonder Horse Trigger,” at L.A. This show, the first comprehensive, scholarly survey of this American art movement, will feature works by figures such as Merion Estes, Kendall Shaw and Takako Yamaguchi, as well as artists who aren’t directly associated with Pattern and Decoration but whose work bears tangential or indirect links. Artists took those ideas and media and pumped up the volume. In the 1970s, artists across the United States began to embrace forms of artistic production frequently described as feminine or domestic, traditions such as quilting, embroidery, weaving and interior design (such as wallpaper patterns). “With Pleasure: Pattern and Decoration in American Art 1972-1985,” at the Museum of Contemporary Art Los Angeles. Here are a dozen exhibitions and events to check out in the coming week: Paintings that draw from the feminine and the domestic, a Day of the Dead celebration in three languages and an artist-made carousel in Venice.
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